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La Chambre de Labastrie / 雪花石之屋

-Michal Martychowiec - 德国

La Chambre de Labastrie
雪花石之屋

本尼迪克特·圣·莫尔 (Benedict de Saint-Maure )在他的《特洛伊的浪漫(Roman de Troie)》中描述了一个守卫天堂的雪花石房间,封闭着,充满光芒,被美丽的雪花石墙围成圆形。 它的性质与当代单面镜相似,在里面的人可以看到外面的东西,但外面的人想看到房间里面是不可能的。

想看,同时不被人发现,这个梦境揭示了人对视线特权地位的渴望。

该系列中画像的人,仿佛该屋中的居民,与观众间隔着双面镜。 被认为有“观察权”的游客,突然被赋予相反的角色。 特权突然地从他们身上剥夺,发现自己处在被观察的一方(无法看到、看清楚)被本应被观察人。

艺术作品中的人物失去原有的身份,他们在艺术家的艺术实践中获得了新的角色。也正因如此,他们被永生化了,在成为艺术家创造的象征的同时,也成为艺术史的一部分。

 

Year
年份
Medium
媒介
Size
尺寸
edition
版数
Signed
签名
2013Silver gelatine fiber base prints
银明胶纤维基印刷
Various
尺寸不一
Unique/5
唯一/5版
Yes
Type
类型
Condition
状况
Offer
状态
Quote
价格
SKU
编码
Photograph
摄影作品
Excellent
完美
Available
可售
11000-26000
人民币
MM005

Benedict de Saint-Maure describes in his Roman de Troie the Alabaster Chamber, a kind of guarded paradise, closed off, full of light, rounded by a wall made of beautiful alabaster. Its properties are similar to those of contemporary mirrors, as the ones who are inside can see the outside, but it remains impossible for those outside to see the inside of the chamber.

To see, while not being seen, this dream reveals the ambiguous craving and confirms the privileged status of the sight.

The series of portraits, as if of inhabitants of the chamber, sets an opposite parallel. The visitors, who are supposedly granted the privilege of sight a priori, become suddenly given the opposite role. The privilege is abruptly taken away from them and they quickly find themselves at the position of ones being observed (without being able to see) by what was supposed to be looked at (but wasn’t supposed to be able to observe).

In a sense, the characters portrayed always lose their original identity and get one where they are yet to be named by the poet. As such, they acquire a new role in the symbolic practice of the artist. Consequently, through their original identity being lost, they are immortalised as they become part of artist’s own mythology and thus art history.

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La Chambre de Labastrie , 2013 / 胶片-银明胶纤维基印刷 / 唯一/ 85x70cm /人民币 26000

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La Chambre de Labastrie , 2013 / 胶片-银明胶纤维基印刷 / 唯一/ 75x60cm /人民币 20000

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La Chambre de Labastrie , 2013 / 胶片-银明胶纤维基印刷 / 唯一/ 70x85cm /人民币 26000

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La Chambre de Labastrie , 2013 / 胶片-银明胶纤维基印刷 / 5版/ 29x44cm /人民币 11000

Artist 艺术家

Michal Martychowiec 弥豪·马堤霍威茨

Contemporary Artist 当代艺术家

Michal Martychowiec 弥豪·马堤霍威茨

Michal Martychowiec,1987年出生于波兰卢布林,2009至2011年在英国伦敦圣马丁艺术大学研读视觉艺术,现工作和生活于德国柏林。近期展览包括:“那永存的,皆有诗人创立”,南京艺术学院美术馆,南京,中国 (2017) ; “Engels mit Sphinx Gesichten”,MMS2基金会,柏林,德国 (2016) ; “Line”,gift_lab GARAGE,东京,日本 (2016) ; “All Is History”,Dzialdov,柏林,德国 (2015) ; “Vanito Vanitas”,根金根基金会,根金根,德国 (2013) ; “La Chambre de Labastrie”,Upp画廊,威尼斯,意大利 (2013) ; “In Memory”,乌亚兹多夫城堡当代艺术中心 (CCA),华沙,波兰 (2013) 等。