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In Memory / 记忆里

Michal Martychowiec - 德国 柏林

In Memory 

记忆里

Particolare – “细节”,“奇点”,或作为形容词,“具体”  –表示独特,独立的和特殊的,并在Giovanni Anselmo在70年代早期的背景化对话中出现过。

“particolare”也同时可以理解成一种方法——新的创造和新的理解。

记忆是创造我们情感的催化剂,在IN MEMORY中,作品依赖的是观众本身而非空间,核心在“看见与想象”之间。艺术家使用颜色,召唤观众一定的原始记忆。

在记忆中,过去和现在更接近彼此,同时保持空间之间的动态平衡,作品的标题最初可能看起来具有欺骗性,因为实际上,本系列更多的是关于遗忘,而不是回忆或记忆。幻灯片上记录的“时间片段”(由纯色代表的环境照片)的图片,并非仅是一个色块,而是艺术家想让我们通过想象来填充的新画布。二元性在这里变得统一。

正如G. Agamben在他的书中《图像,梦,觉醒》中所描述的那样,对于新发现的潜意识区域,想象中的区域,甚至是随机的区域。这些领域在很大程度上塑造了当代艺术实践。

Year
年份
Medium
媒介
Size
尺寸
edition
系列
Signed
签名
2013 chromogenic prints 
有色印刷
150x100cm1/5Yes
Type
类型
Condition
状况
Offer
状态
Quote
价格
SKU
编码
Photographic/ Installation
照片/装置
Excellent
完美
Available
可售
35000
人民币
MMIM001

Particolare – “detail”, “singularity”, or, as an adjective, “specific” – signifies what is individual, separate and exceptional and is used in his contextualising dialogue by Giovanni Anselmo in the early 70s.

The word ‘particolare’ becomes a gesture, a signifier, a pointer – creator of new contexts and the new seeing-understanding.

In In memory I create contexts, which depend on the audience rather than space, despite their taking place in a space. I do not operate with a signifier or a ‘particular’ form, but colour, which essentially does not signify but rather holds a certain primal memory – a catalyst in the creation of our feelings. And as such the projections of colour make us signify – the appearing and disappearing contexts as we move through space. A projection at the wall is not pointing at the wall, but rather at us looking at the wall and thinking-feeling.

At the same time, the title might appear at first deceptive, as the work is more about oblivion than about recollecting or remembering. In memory brings past and present closer to one another, whilst maintaining the dynamic balance between spaces and, most importantly, between the seen and the imagined. The pictures of “fragments of time”  (photographs of our environment represented by pure colour) recorded on the slides are not about a mimetic representation, but about re – presentation created by our imagination. Duality becomes unity here.

The practice of the 20th c. avant-garde is the decisive abandonment of the mimetic-representative paradigm, as G. Agamben wrote in his “Image, Dream, Awakening”, for newly-discovered areas of the subconscious, the imaginary, and even the purely random. These areas have, to a large extent, shaped the contemporary artistic practices.

– 2013 Michal Martychowiec

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In Memory 记忆里/ 2013 / chromogenic prints 有色印刷/ 150x100cm / framed 带框

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In Memory 记忆里/ 2013 / chromogenic prints 有色印刷/ 150x100cm / framed 带框

Artist 艺术家

Michal Martychowiec 弥豪·马堤霍威茨

Contemporary Artist 当代艺术家

Michal Martychowiec 弥豪·马堤霍威茨

Michal Martychowiec,1987年出生于波兰卢布林,2009至2011年在英国伦敦圣马丁艺术大学研读视觉艺术,现工作和生活于德国柏林。近期展览包括:“那永存的,皆有诗人创立”,南京艺术学院美术馆,南京,中国 (2017) ; “Engels mit Sphinx Gesichten”,MMS2基金会,柏林,德国 (2016) ; “Line”,gift_lab GARAGE,东京,日本 (2016) ; “All Is History”,Dzialdov,柏林,德国 (2015) ; “Vanito Vanitas”,根金根基金会,根金根,德国 (2013) ; “La Chambre de Labastrie”,Upp画廊,威尼斯,意大利 (2013) ; “In Memory”,乌亚兹多夫城堡当代艺术中心 (CCA),华沙,波兰 (2013) 等。