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Line / 线

Michal Martychowiec - 德国

Line
线

一个威尼斯的晨间,在Acqua Alta(涨潮)时,艺术家发现自己住的房子被水彻底切断了。路面的线条(在水下)就像一个边界,不同之处在于它不仅将一侧与另一侧分开,而且也是一条可以跟随的线条(如Ariadne的线索)。

位于通道中的5张照片体现了此线条的模糊性,从一侧分离,但同时又以一种方式引导。人们可以说这是生活的寓言,因为我们遵循生命和死亡边界、时间、或者生命之线(命运三女神的线)。

这条线也具有象征意义,不是在整个艺术史上已经探索过的方式,而是从远古时代到现代的艺术语言中反复出现的形式。因此,它成为艺术,历史的象征,且有“出生复发”(palingenesia)的永恒意愿,Arnold J. Toynbee在其关于文明兴起和解体的法律的十卷研究中解释说。

Year
年份
Medium
媒介
Size
尺寸
edition
系列
Signed
签名
2009 Archival pigment prints
档案式色素喷印
55*70cm1/5Yes
Type
类型
Condition
状况
Offer
状态
Quote
价格
SKU
编码
Photographic
照片
Excellent
完美
Available
可售
9800
人民币
MMLI001

One morning, during the Acqua Alta (high water) I have found the house where I was staying completely cut off by water. The line of the pavement (which was under the water as well) was like a border, with that difference that it didn’t only separate one side from the other but was also a line to follow (like Ariadne’s thread).

5 photographs, positioned in the passageway show this ambiguity of a line, from one side separating, but at the same time continuously leading ones way. One could say it is an allegory of life, as we follow the line of time and life we permanently remain on the border of life and death.

The line is also symbolic, not in the way already explored throughout art history, but rather by being a recurring form in the art language, from times immemorial to contemporary. It thus becomes a symbol of art, history and the ever will to the commit the ‘recurrence of birth’ (palingenesia) which Arnold J. Toynbee explains in his ten-volume study of the laws of the rise and disintegration of civilisations.

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Line 线/ 2009 / Archival pigment prints 档案式色素喷印/ 55*70cm

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Line 线/ 2009 / Archival pigment prints 档案式色素喷印/ 55*70cm

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Line 线/ 2009 / Archival pigment prints 档案式色素喷印/ 55*70cm

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Line 线/ 2009 / Archival pigment prints 档案式色素喷印/ 55*70cm

Artist 艺术家

Michal Martychowiec 弥豪·马堤霍威茨

Contemporary Artist 当代艺术家

Michal Martychowiec 弥豪·马堤霍威茨

Michal Martychowiec,1987年出生于波兰卢布林,2009至2011年在英国伦敦圣马丁艺术大学研读视觉艺术,现工作和生活于德国柏林。近期展览包括:“那永存的,皆有诗人创立”,南京艺术学院美术馆,南京,中国 (2017) ; “Engels mit Sphinx Gesichten”,MMS2基金会,柏林,德国 (2016) ; “Line”,gift_lab GARAGE,东京,日本 (2016) ; “All Is History”,Dzialdov,柏林,德国 (2015) ; “Vanito Vanitas”,根金根基金会,根金根,德国 (2013) ; “La Chambre de Labastrie”,Upp画廊,威尼斯,意大利 (2013) ; “In Memory”,乌亚兹多夫城堡当代艺术中心 (CCA),华沙,波兰 (2013) 等。